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After building a successful career in the commercial film/TV industry, he turned his attention to dance music in 2005, spending his off-hours exploring his new passion. Speed Garage, Breakstep, Bassline, Grime and the Reggae-inspired Dubstep are all sub-genres of UK Garage.Hailing from Norway, Boom Jinx began writing music in 1989. Sub-genres of other styles include Progressive Breaks, Rave Breaks, Booty Bass, Goa Trance, Euro Trance, Hard Trance, Hardstyle, Minimal Techno, Gabber Techno, Breakcore, Broken Beat, Trip Hop, Folktronica and Glitch. Sub-genres of Drum & Bass include Tech Step, Hard Step, Jump Up, Intelligent D&B/Atmospheric D&B, Liquid Funk, Sambass, Drum Funk, Neuro Funk and Ragga Jungle. Sub-genres of House include Acid House, Electro House, Hard House, Funky House, Deep House, Tribal House, Hip House, Tech House and US Garage. Many sub-genres of electronic dance music have evolved. There are also much slower styles, such as Downtempo, Chillout and Nu Jazz. Some of the most popular upbeat genres includes House, Techno, Drum & Bass, Jungle, Hardcore, Electronica, Industrial, Breakbeat, Trance, Psychedelic Trance, UK Garage, and Electro. Many producers of this kind of music however, such as Darren Tate and MJ Cole, were trained in classical music before they moved into the electronic medium.Īssociated with dance music are usually commercial tracks that may not easily be categorized, such as “ The Power” by Snap!, “ No Limit” by 2 Unlimited, “ Gonna Make You Sweat (Everybody Dance Now)” by C+C Music Factory, and the Beatmaster’s “Rok Da House” but the term “dance music” is applied to many forms of electronic music, both commercial and non-commercial. Instead, this is replaced by digital or electronic sounds, with a 4/4 beat. Electronic dance music is typically composed using computers and synthesizers, and rarely has any physical instruments.
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Many music genres that made use of electronic instruments developed into contemporary styles mainly due to the MIDI protocol, which enabled computers, synthesizers, sound cards, samplers, and drum machines to interact with each other and achieve the full synchronization of sounds. Clubs like Sundissential and Manumission became household names with British, German and Italian tourists. The scene rapidly expanded to the Summer Of Love in Ibiza, which became the European capital of house and trance. The ongoing influence of Shoom can be seen in its 25th anniversary party, held at Cable Nightclub on 8th December 2012, which sold out in four days. Looping, sampling and seguing as found in disco continued to be used as creative techniques within Trance music, Techno music, and especially House music.Įlectronic dance music experienced a boom after the proliferation of personal computers in the 1980s, manifest in the dance element of Tony Wilson‘s Haçienda scene (in Manchester) and London clubs like Delirium,The Trip, and Shoom. During its gradual decline in the late 1970s, disco became influenced by computerization. This music, made using electronics, is a style of popular music commonly played in dance music nightclubs, radio stations, shows and raves. By 1981, a new form of electronic dance music was developing.